A featherweight, delightful, piano-led piece, it's intentionally sweet and innocent in its depiction of Joy's unerring happiness, weaving its way through the score and gradually gaining in complexity as Joy realises that Riley's move into adolescence involves an acceptance of seemingly negative emotion Sadness. Needless to say there are memorable building blocks in the score, beginning with the theme for Poehler's effervescent emotion Joy in the opening track "Bundle of Joy". He now contributes a similarly imaginative score for Inside Out, one that, in-keeping with the film's themes of memory and identity, is perhaps more amorphous than his earlier Pixar scores, requiring a degree of effort on the part of the listener to tease out its various ideas. Up (on which Giacchino collaborated with Docter) won the composer his first Oscar, largely due to the heartbreaking 'Married Life' montage at the start of the movie. Directors Pete Docter and Ronaldo Del Carmen have undoubtedly fashioned one of Pixar's finest films to date and accompanying them is composer Michael Giacchino, who here contributes his fifth Pixar score following The Incredibles, Ratatouille, Up and Cars 2. Jaw-droppingly profound in the way that it casually observes the complexities of the human mind (happy memories are identified as golden orbs called 'core memories' Riley's character is defined as a series of memory islands based around key facets of her personality), the film does a superb job in introducing young viewers to remarkably complex concepts. When Riley's primary emotion Joy (voiced by Amy Poehler) ends up exiled to the recesses of Riley's mind along with Sadness (Phyllis Smith), a beautiful adventure unfolds that acts as a vivid metaphor for the growing up process. Best described as a psychological coming of age story for family audiences, the film takes place within the head of a 12-year-old girl named Riley, where her emotions Joy, Sadness, Fear, Anger and Disgust are attempting to steer her through a difficult move from the American Midwest to a new life in San Francisco. Ambitious, visually stunning, funny and moving in the manner of Pixar's greatest movies, Inside Out touches on what is possibly their most universal idea to date: the very nature of emotions and how they govern our everyday behaviour. Having experienced something of a creative lull in the past few years with the likes of Cars 2, Brave and Monsters University, Pixar this summer reclaimed their position as the world's pre-eminent animation house with the extraordinary Inside Out. Inside Out - film score by Michael Giacchino
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